The Best Science Fiction of the Year, Vol. 5 by Neil Clarke

The Best Science Fiction of the Year, Vol. 5 by Neil Clarke

Author:Neil Clarke
Language: eng
Format: epub
ISBN: 9781949102239
Publisher: Night Shade Books
Published: 2020-10-05T16:00:00+00:00


Tegan Moore is a writer and professional dog trainer living in the Pacific Northwest. She enjoys eating noodles, hiking in the rain, and reading scary stories. She has published short fiction in magazines including Beneath Ceaseless Skies, Asimov’s, and Tor.com, and runs the Clarion West One-Day Workshops. You can read more of her work at www.alarmhat.com and follow her obscenely charismatic dogs @temerity.dogs on Instagram.

THE WORK OF WOLVES

Tegan Moore

I am a good dog.

The scent trails are already as broken by the wind as the apocalyptic neighborhoods they lead through, and smoke from a fire half a mile southeast adds another layer of complexity. Following one trail is like following the roots of a plant wound tight together in the dirt.

No, better: It is like sorting through the fallen trees after this storm. Difficult to tell where one tree begins and the other ends, what belongs to what, and where the different parts are from.

That’s a very good Is Like. I save it to keep it with my other good ones.

The sector clear, I send the final readings back to Carol via DAT. She’s behind me with the field assistant, standing on the hood of a car. I can hear the distant, quiet tick of her DAT receipt.

“Sera,” she calls out, “slow down and stay within my visual range.”

Carol should hurry and follow me per standard procedure instead of yelling from the hood of a wrecked car. I don’t have time to wait for her.

Barometric pressure dropping, I ping back to her DAT. I see her hand touch the receiver in her ear from the corner of my eye as I trace the foundation where a prefabricated house once stood. Significant enough to indicate further storms approaching.

“Sera,” my DAT says, but I also hear Carol’s voice carry over the rubble field of tangled two-by-four framing, shingles peeled from rooftops, tatters of furniture, and twisted textiles. She struggles down from the car into the wreckage. “Stay in range, goddammit. Slow down!”

Carol is now too far away to direct or even accompany my search. I don’t need her direction, but the more distance between us, the greater the chance of a missed opportunity. She is slow, perhaps deliberately slow. What does that indicate? Will this also negatively impact the speed at which she acknowledges my alert?

I jump up on an intact retaining wall where I can catch the breeze’s fresh edge. From here it’s easier to see the destruction for what it was before the storm: broken stumps where dogs might have lifted their legs, sidewalks where bicycles and skateboards ruckle-d along, driveways. Here and there a few houses stand, debris piled at their foundations. In a few days those piles will become a haven for rats and mice.

In the distance there are a few humans, non-targets I’ve already cleared from my cache. People who lived here, who now pick through the storm’s detritus. I want to give them an Is Like, but there’s no time. I am working. My priority is to do the best job possible.



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